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EntertainmentHow to Use Guitar Pedal Effects

How to Use Different Guitar Pedals in Rock & Blues

Transcript

The uses of overdrive and distortion in rock-and-roll and blues music is critical. Really, I don’t think that you can achieve the tone without using, to me, either overdrive or distortion. I’d say more blues and classic rock tones are going to gravitate more toward an overdrive sound, even as far back as Link Ray or BB King, that used crank amps. You’re going to get that kind of a tone with an overdrive pedal. Cream, early Led Zeppelin; you are going to get tones like that with different overdrive pedals.

Whereas, distortion crosses into the spectrum of a much more saturated, much more colored sound: Green day, Metallica, even Maroon 5 are some modern rock that really has a compressed with a mix of those records, is very high-gain, very compressed. Distortion might be a way you would go in that genre. Really, the spectrum is so vast that you can achieve so many different kinds of guitar tones between overdrive and distortion. There’s so many different pedals and sounds you can achieve in between that’s really impossible to just pinpoint it. Experiment with it and see what works for you.

That was just a little blues thing. I was using my full-tone OCD pedal. As you can see, the humbuckers on my SG are creating much more base-heavy, mid-range-y tone through the amp, without the overdrive pedal. Right away, we’re getting a heavier, meatier sound. Again, Strat and [inaudible : 01:51] verses a Les Paul or an SG is going to get a very different reaction with an overdrive pedal. There’s just so many colors on the pallet to use.

In this case, you might get a tone similar to Cream or some of the early classic rock/blues artists with an overdrive pedal. It’s a very effective way to get a good rhythm sound, really good blues sound, really bring out some of the low mid-range of your guitar. It does add a little bit of color. The drive on this pedal is all the way down, pretty much; probably about 7:00. It’s not as transparent as it would be with the Telecaster or single coil pick up, but that’s okay, because if you want that, just switch guitars.

This is an example of a way you can achieve a blues rock, classic rock sound with an overdrive pedal.


Lessons in this Guide

What Is a Fuzz Guitar Pedal?

How to Use an Overdrive Guitar Pedal as a Clean Boost

How to Do a Chromatic Scale Exercise on Guitar

How to Create a Chorus Sound with a Tremolo Pedal

Distortion vs. Overdrive vs. Fuzz Guitar Pedals

How to Choose a Guitar Pick Based on Shape, Size & Thickness

How to Use a Distortion Guitar Pedal vs. Overdrive Pedal

How to Understand Tremolo Pedal Settings

How to Use Different Guitar Pedals in Rock & Blues

What Are Different Kinds of Guitar Pedal Overdrive?

Different Kinds of Tremolo Guitar Pedals

How to Hold a Guitar Pick Correctly

How to Manipulate Volume with an Overdrive Guitar Pedal

How to Create a Stevie Ray Vaughn Sound with a Guitar Pedal

How to Use Distortion & Overdrive Guitar Pedals in Metal

How to Create a Tremolo Sound from an Amp

Tremolo Guitar Pedal vs. Vibrato Pedal vs. Univibe Pedal

What Are Overdrive Guitar Pedal Settings?

How to Play Random 8th, 16th & Triplet Notes w/ a Metronome

How to Create a Single Delay Effect using Guitar Pedals

What Is a True Bypass Guitar Pedal?

What’s the Pedal Order When Using Delay with a Volume Pedal?

How to Understand Wah Pedal Settings

How to Put the Guitar Delay Pedal First with a Volume Pedal

What Is a Wah Pedal?

What Is Guitar Pedal Overdrive?

How to Create Different Delays using Guitar Delay Pedals

How to Create a Modeling Delay Effect using Guitar Pedals

What Is Guitar Pedal Effects Software?

How to Create a Hendrix Sound with a Wah Pedal

What Are Guitar Delay Pedal Settings?

How to Understand Guitar Pedal Order

Digital Pedals vs. Analog Pedals

How to Build a Guitar Pedal Board

How to Create the “Edge” Sound with a Guitar Delay Pedal

How to Set Up Guitar Pedals

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